Pulp Fiction (Music From The Motion Picture)

Vinyl, LP, Album, Compilation, Reissue, Remastered, 180 Gram
Country:    Europe
Released:    
Genre:    Rock, Funk / Soul, Non-Music, Pop, Stage & Screen
Style:    Surf, Rock & Roll, Dialogue, Soul, Soundtrack, Funk

TRACK LISTING

SIDE A
1. Pumpkin And Honey Bunny – ft. Tim Roth & Amanda Plummer
2. Royale With Cheese – Samuel L. Jackson & John Travolta
3. Jungle Boogie – Kool & The Gang
4. Let’s Stay Together – AI Green
5. Bustin’ Surfboards – The Tornadoes
6. Lonesome Town – Ricky Nelson
7. Son Of A Preacher Man – Dusty Springfield
8. Zed’s Dead, Baby – Maria De Medeiros & Bruce Willis

SIDE B
1. Jack Rabbit Slims Twist Contest – Jerome Patrick Hoban
2. Girl, You’ll Be A Woman Soon – Urge Overkill
3. If Love Is A Red Dress (Hang Me In Rags) – Maria McKee
4. Bring Out The Gimp – Peter Green & Duane Whitaker
5. Flowers On The Wall – The Statler Brothers
6. Personality Goes A Long Way – John Travolta & Samuel L. Jackson
7. Surf Rider – The Lively Ones
8. Ezekiel 25:17 – Samuel L. Jackson

“Pulp Fiction (Music From The Motion Picture),” released on September 27, 1994, by MCA Records. The album features a collection of songs and dialogue excerpts from the iconic Quentin Tarantino film “Pulp Fiction.”

The soundtrack album includes a diverse range of genres, including surf rock, rock and roll, pop, and soul, and features artists such as Chuck Berry, Kool & The Gang, Dusty Springfield, and Urge Overkill. The album’s standout tracks include Dick Dale’s “Misirlou,” which is featured prominently in the film’s opening sequence, and Urge Overkill’s cover of Neil Diamond’s “Girl, You’ll Be a Woman Soon.”

In addition to the songs, the album also includes snippets of dialogue from the film, such as Samuel L. Jackson’s famous “Ezekiel 25:17” speech and John Travolta and Uma Thurman’s dance scene dialogue.

The “Pulp Fiction (Music From The Motion Picture)” soundtrack album was a commercial success, reaching the top 20 of the Billboard 200 chart and selling over two million copies in the United States. It is considered a classic soundtrack and an essential part of the “Pulp Fiction” cultural phenomenon.